The RAI, Radiotelevisione italiana, turned sixty in 2014, having officially started broadcasting on 3 January 1954. That day, TV arrived in Italy. Sixty years of history is a great deal, a very great deal in technological timescales. In just under a decade, digital media and the Internet have changed TV radically. The articles in CS issue no. 1/2015 "Sixty Years of Italian TV. The Medium’s Past and Future" (edited by Aldo Grasso) discuss Italian television’s sixty-year history from a cultural-history perspective, illuminating several questions that have become crucially important in directing the rapid process of institutionalizing the small screen in Italy and then some of its main subsequent changes.Continue >
The recent debate on "creative industries" – words that have substituted/are substituting the more traditional notion of “cultural industry” into media, economic, cultural and aesthetics debate – denounces the resilience of gender “differences” (understood both as specificities as inequalities) into generating processes. CS special issue no. 3/2014 (edited by Alice Cati, Mariagrazia Fanchi and Rosanna Maule) aims to explore the many features that gendered creativity assumes: its genesis, its expressions, its effects, both negative and positive.Continue >
The issue 2/2014 addresses the subject of cinematic storytelling on bioethical matters through textual analyses of mainstream films, from studio features that have gained a relevant place in contemporary popular culture to independent or partially independent movies, to TV series targeted to selected audiences. The essays devote great attention to how the product of storytelling relates to reality from different disciplinary perspectives (the screenwriting theory and the theory of adaptation to screen, the study of the literary influences, law and bioethics) focusing on the choices that characters made when such issues as giving birth and dying are at stake.
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The Effectiveness of Communication Campaigns on Vio-Lence Against Women: Suffering, Between Reality and Representation
Tra finzione e realtà: attori, non attori e spettatori nel teatro del XXI secolo Questioni aperte
COMUNICAZIONI SOCIALI - 2019 - 3. Writing for Cinema, Writing for Television
COMUNICAZIONI SOCIALI - 2019 - 2. Generations, Time, and Media