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Vita e Pensiero

Il pubblico del teatro contemporaneo: fra auto-osservazione e processi di fruizione digital
format: Article | COMUNICAZIONI SOCIALI - 2018 - 3. The international circulation of european cinema in the digital age
Year: 2018
There has been a growing interest in the study of performing arts audiences over the last three decades. This interest is expressed both at an organizational level, by the increasing presence of audience development and audience engagement initiatives, and within the expanding multidisciplinary field of academic research on theatre audiences, which interweaves economics, cultural marketing, the sociology of culture and audience studies applied to theatrical reception...
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Introduction: The International Circulation of European Cinema in the Digital Era digital
format: Article | COMUNICAZIONI SOCIALI - 2018 - 3. The international circulation of european cinema in the digital age | Open Access
Year: 2018
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The Circulation of European Films within Europe digital
format: Article | COMUNICAZIONI SOCIALI - 2018 - 3. The international circulation of european cinema in the digital age
Year: 2018
While more than a thousand films are made in Europe each year, only around 20 actually circulate in any meaningful way outside their own national market but within Europe. Despite the processes of globalisation and digitisation, we are clearly still some way from a film industry that knows no borders. This paper analyses the sorts of European productions that do travel successfully within Europe, and why. It draws on research undertaken for the MeCETES project (Mediating Cultural Encounters Through European Screens, 2013-2016), and especially the extensive database of films released in Europe between 2005 and 2015 put together by Huw D. Jones...
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COMUNICAZIONI SOCIALI - 2019 - 1. Playing Inclusion digital
format: Digital issue
Year: 2019
Primo fascicolo del 2019
Introduction digital
format: Article | COMUNICAZIONI SOCIALI - 2019 - 1. Playing Inclusion | Open Access
Year: 2019
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Migrant Players digital
format: Article | COMUNICAZIONI SOCIALI - 2019 - 1. Playing Inclusion | Open Access
Year: 2019
The article proposes that recent discoveries in neuroscience have highlighted the dramatic nature of being human...
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Il discorso sulla migrazione tra oggettivazione e abiettivazione digital
format: Article | COMUNICAZIONI SOCIALI - 2019 - 1. Playing Inclusion
Year: 2019
The article presents some facts and figures of today’s migration, which do not support the currently dominant negative discourse on migration, especially in the western and northern worlds...
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Crisis in the Making: Public Theatre, Migration and Activist Aesthetics digital
format: Article | COMUNICAZIONI SOCIALI - 2019 - 1. Playing Inclusion
Year: 2019
This article is concerned with the European public theatre system’s relationship with migration...
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Necropolitics of Inclusion. Performance in Times of Migratory Crisis digital
format: Article | COMUNICAZIONI SOCIALI - 2019 - 1. Playing Inclusion
Year: 2019
For Michel Foucault at the end of the 18th century biopower emerged as a new political form defining a new type of social body. Achille Mbembe, challenging Foucault’s concept of biopolitics, asks if ‘the notion of biopower [is] sufficient to account for the contemporary ways in which the political, under the guise of war, of resistance, or of the fight against terror, makes the murder of the enemy its primary and absolute objective’ and ‘what place is given to life, death, and the human body (in particular the wounded or slain body); and ‘how are they inscribed in the order of power’...
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Integration in a Theatre Company: The Exemple of Teatro delle Albe digital
format: Article | COMUNICAZIONI SOCIALI - 2019 - 1. Playing Inclusion
Year: 2019
The aim of the essay is to consider how the Ravenna theatre company ‘Teatro delle Albe’ represents the theme of migrations from Africa to Europe...
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Mustafa Y vs. Secretary of State: Live Art and the Politics of Inclusion digital
format: Article | COMUNICAZIONI SOCIALI - 2019 - 1. Playing Inclusion
Year: 2019
This article is an investigation of how Live Art performance can add insight into attempts to include the ‘real’, in this context the social reality of migration and the refugee...
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Anno: 2020 - n. 2

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