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Vita e Pensiero

ANNALI SCUOLA SUPERIORE DELLE COMUNICAZIONI SOCIALI - 1973 - 1-2 digital
format: Digital issue
Year: 1973
La prima serie degli «Annali» ha via via raccolto i contributi scientifici promossi dalla Scuola Superiore delle Comunicazioni Sociali dell’Università Cattolica. Questa seconda serie intende proseguire l’impegno della prima con una periodicità più stretta e con la più ampia disponibilità a quanto la ricerca scientifica, anche al di fuori della Scuola, va elaborando in ordine alla Comunicazione Sociale.
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format: Article | COMUNICAZIONI SOCIALI - 2007 - 2. Genere e generi. Figure femminili nell'immaginario cinematografico italiano
Year: 2007
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COMUNICAZIONI SOCIALI - 2007 - 2. Genere e generi. Figure femminili nell'immaginario cinematografico italiano digital
format: Digital issue
Year: 2007
Numero due del 2007 della rivista "Comunicazioni Sociali"
€ 29.00
Cinema e studi di genere dal 1990 a oggi digital
format: Article | COMUNICAZIONI SOCIALI - 2007 - 2. Genere e generi. Figure femminili nell'immaginario cinematografico italiano
Year: 2007
The essay traces the most recent developments in Feminist Film Theory from the new psychoanalytic approaches (such as Trauma Studies) to the historical work on Early Cinema and, finally, the convergence between gender and globalization studies. The essay offers an extremely articulated picture and provides a key for a heuristic interpretation of the main cultural and social processes affecting the contemporary world.
€ 6.00
Reflections on a feminist future: Cooking cakes and baking biscuits in an early documentary film digital
format: Article | COMUNICAZIONI SOCIALI - 2007 - 2. Genere e generi. Figure femminili nell'immaginario cinematografico italiano
Year: 2007
Despite the accusation of abstraction and of lacking of an historical base, the Feminist Film Studies have considerably contributed to the historical research, underlining the cultural value of performance and of the act of watching. The analysis and comparison of two texts belonging to the cinema of the origins make explicit the function of cinema as an instrument for the definition of gender identity. It also stimulates a reflection on the values associated with women at the beginnings of the last Century. In particular the essay detects a strategy of representation of women enhancing their creativity and freedom versus the one of men, alienated and subject to production logics.
€ 6.00
Pieghe d’amore. Tra-vasi dal femminismo italiano a un modello emozionale di cinema digital
format: Article | COMUNICAZIONI SOCIALI - 2007 - 2. Genere e generi. Figure femminili nell'immaginario cinematografico italiano
Year: 2007
The essay describes the interlacement between the feminist movement and practices and the film theory in Italy.It is not a chronological path, but the tale of a trip, which begins from the corporeal being, the memory of the body, and reaches to the concept of Mother, as fundamental space of the thought of difference. A space – as Deleuze says – of ‘intensive emotions’, which opens new approaches for the film analysis and new positions for male and female spectators.
€ 6.00
Donne rapaci. Modelli femminili tra cinema e pittura negli anni Dieci digital
format: Article | COMUNICAZIONI SOCIALI - 2007 - 2. Genere e generi. Figure femminili nell'immaginario cinematografico italiano
Year: 2007
The bond which has been tied between cinema and visual arts in the first decades of the last century finds its paradigmatic expression in the ways of representing women. The comparison between the woman-owl interpreted by Pina Menichelli and Marchesa Casati’s pictures immortalized by Boldini’s brush highlight the strong and lively exchange among expressive forms and give back an idea of unconventional and eccentric femininity. This model meets the need of the cinema to accredit itself as a new form of art (highlighting the closeness with painting and literature, evidence of that complex system of referrals among ‘media’ which will consolidate in the following decades), more than the intention of conveying a different, more modern concept of woman.
€ 6.00
«Sorridi alla mamma!». Presenze materne nelle pratiche cine-amatoriali digital
format: Article | COMUNICAZIONI SOCIALI - 2007 - 2. Genere e generi. Figure femminili nell'immaginario cinematografico italiano
Year: 2007
The essay investigates the representation of femininity in the films about family. The analysis develops between the reconstruction of the figure of woman in promotional texts aimed at promoting the recovered use of domestic technologies in the first decades of the century. It also examines the presence/absence of the mother’s figure in films about family. It shows a framework full of implications, and in which what appears (and what does not appear) reveals a different and unexpected sense and meaning. In particular the woman, despite not being the architect nor the protagonist of the shooting, confirms herself as Deus Ex Machina of the filmed memories of the family.
€ 6.00
‘Signore di casa’ e ‘Signore di tutti’: ritratti al femminile nella commedia degli anni Trenta digital
format: Article | COMUNICAZIONI SOCIALI - 2007 - 2. Genere e generi. Figure femminili nell'immaginario cinematografico italiano
Year: 2007
Starting from the analysis of Gaby’s character in La signora di tutti (Ophuls, 1943), the essay identifies the origin of female characters populating the comedy of regime. Despite their diversity, these models are the product of the different narrative frames in which they are set behind a common process of mediation between Modernity and Tradition. This mediation gently leads the woman within the perimeter of her family, offsetting the renunciation to an independent life with the conquest of true love.
€ 6.00
«L’onorevole Angelina» e la breve stagione della repubblica (cinematografica) delle donne digital
format: Article | COMUNICAZIONI SOCIALI - 2007 - 2. Genere e generi. Figure femminili nell'immaginario cinematografico italiano
Year: 2007
It is easy to envisage a correlation between Zampa’s film, L’onorevole Angelina, and the inclusion (at least formal) of women in the Country’s political life in the Second postwar period. Yet in addition to reflecting a social transformation (supported by the declared realism of the film), the work responds to a purely cinematographic logic. Angelina’s character perfectly adheres to the figure of Mrs. Magnani, emphasizing her best known features and underlining the point of her star like parable. Perhaps more than representing the reflection of a new prototype of woman, both Angelina, and Mrs. Magnani work as models of aspiration in a reality in which freedom and equality of rights are still far from being reached.
€ 6.00
Anime incatenate. Le prostitute nel cinema italiano degli anni Cinquanta digital
format: Article | COMUNICAZIONI SOCIALI - 2007 - 2. Genere e generi. Figure femminili nell'immaginario cinematografico italiano
Year: 2007
The essay seeks in the Domestic film production of the 1950s, the tracks of the debate about the presentation and approval of the Italian law Merlin. With a sensitivity heightened by the Neorealistic season, the Italian cinema denounces the most critical aspects preventing the process of rehabilitation and reintegration of prostitutes, exposing them to public judgment and sentencing them to live on the fringe of society.
€ 6.00
Visualizzare la diva. «La donna del fiume»: qualche appunto sull’attrice diva nel paesaggio d’acqua digital
format: Article | COMUNICAZIONI SOCIALI - 2007 - 2. Genere e generi. Figure femminili nell'immaginario cinematografico italiano
Year: 2007
The reconstruction of the screenplay evolution of Mario Soldati’ La donna del fiume offers a classic example of the process of mediation between authorial, productive and cultural instances from which the film script originates. In particular, the analysis shows the results of the censorial pressure concerning the staging of women on his film and, more generally, on the definition of a new model of female star. Even when apparently exercised on other elements of the film, the interventions reveal a containment of the female character, granting a larger diegetic space while respecting the visual (and cultural) standard of representation of women.
€ 6.00

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