The new guide for the authors about the submissions of articles is available, please read the instructions carefully.

Since 2013, the traditional monographic section of each issue of Comunicazioni Sociali has been supplemented by a miscellaneous section. The call for papers for the miscellaneous section is always open. Contributions will undergo the same double-blind peer-reviewing process of the monographic section. Since its inception, CS has been contributing on key debates of studies on theatre, cinema, radio, television, journalism, advertising and digital media. The journal has promoted a rigorous reflection on theory, history and critical analysis of media, communications and performance arts. It continues to be a fundamental voice within the debate on the more recent and controversial questions of communication (from ethics to anthropological design) drawing on theoretical reflection and historical analysis, as well as from the proceedings of empirical research.

CS special issue 2/2018, edited by Mariagrazia Fanchi, Alexandra Schneider and Wanda Strauven, aims at analyzing Post-Millennials’ cinema experiences and practices.

This issue focuses on the artistic, social and political resources invested by the performative arts into socio-cultural inclusion, aimed at facilitating collective processes of dealing actively with the complexities generated by the recent migration trends.

Using different starting and entry points (based, inter alia, on journalism studies, organizational communication, game studies, discourse theory, visual communication), the collection of articles included in this special issue sheds light on the logics of political struggle. In particular, this special issue allows reflecting on the distinction between struggles over and struggles through, very much in line with Plekhanov’s distinction between the means and aims of political struggle, and his argumentation for the alignment of both in socialist strategy.

With the aim of studying how the new technological context is changing current tendencies, this special issue will focus on the strategies and outcomes of European cinema distribution beyond national borders.

Many thought Brexit would not win and Donald Trump could not be elected. An entire media apparatus that was increasingly certain came to produce confusion instead. We are now said to be in a “post truth” time, one where debate over truth has been replaced by a chaos of facts. The more information grows, the more knowledge seems to retreat, and the thought vacuum is increasingly filled with hate speech, hoaxes, and so-called fake news. The aim of this issue is to introduce a critical perspective amidst this wave of anti-inclusionary and counter-informative forces, without falling in the equally undesirable opposites of cynical functionalism (truth is merely what works) or a new, patronizing positivism: truth as a matter of numbers, a sovereignty of data that ends up killing reality, by neutralizing its uncountable aspects.

This special issue will devote particular attention to Post-Millennials’ cinematic experiences within different media, social, and national landscapes, by valorizing new methodological approaches and theoretical frameworks.

The special issue addresses the development of the media system and creative industries in relation both to the major economic crises and to the role played by innovation in making the media – with respect to the crisis itself – assume a cyclical or anti-cyclical role.

The aim of this special issue is to explore this intersection and, consequently, the cross fertilization between fashion studies and media studies, with particular regard to audiovisual media, such as cinema, television, advertising and digital video.