Giochi di figure e d’ombre nel secolo dei Lumi. Note su alcune visioni del Settecento teatrale
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The idea of a ‘theatre-in-form-of-a-painting’ reveals itself as a useful key of access to the comprehension of the XVIIIth century theatre and, particularly, of its ways of diffusion and of its capability to penetrate the imagery of its age. Many iconographic evidences can be considered as reliable documents of a theatre recorded in the memory of the audience. This essay describes the exchange modalities between the theatrical and the artistic experiences, and it finds many possibilities of encounter: the memory (more or less direct) of the shows, the circulation of images with theatrical subjects, the transposition on stage of thematic and atmospheres inspired to the dramaturgy of the period and – above all – the building of the painting following dramatic modalities.
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