Employing the methodology of duo-ethnography, the article critically revisits the collaboration between the article’s authors, facilitated by the production of Hernando Blandón-Gómez’s transmedia and multimodal installation on the political meaning of an image in Rancière’s thought, supported by Lazzarato’s concept of indebted man. Informed by arts-based qualitative methodological work, critical discourse studies and deleuzo-guattarian aesthetic thought, the article takes on the form of the comic, to emphasize the natural alliance between these approaches and media and communication studies...